The Pastor’s Kids breaks all the current marketing
rules. It is a coming-of-age story, narrative fiction, but has no fixed age
group for which it is intended. And, its only plot is an unfolding, like life.
As my brother Dave wrote, “The reader has no idea where (s)he is going, or why
(s)he should go there, but finds
him(her)self curious about how these little lives will unfold. This absence of
a ‘central driver’ to the stories is very refreshing. Unfortunately, however, I
think it may make it less likely to be attractive to some readers, who are
addicted to the captivating quality of a problem thread to be resolved, a
question to be answered. Loved the book.”
The Mikkelsons grow up in an interdependent family, as Gish
Jen uses the term in her book, Tiger Writing: Art, Culture and the
Interdependent Self. Jen believes that in Asian narratives individuality is
subsumed in family and culture. I maintain that many family cultures foster
this sense of interdependence, in which each member contributes to the
survival, the health and the joy of the others. Line, Marty and Paul are deeply
aware of each other and their Norwegian Christian culture. Each chapter is told
in the point of view of one of these three narrators, and in this first book in
the series, we see the bedrock of the family’s story.
And there are things to resolve. One question is
Paul’s bout with polio. He is sequestered in clinics for part of the book, then
has two major surgeries to try to undue the damage polio has done to his muscles
and tendons. Will Paul get to have the life he wants? Another question is what
is going on with Ellie, the oldest Mikkelson sister. She lives alongside her
active siblings, but seems to have a secret life. What is she thinking?
Overall, the series So Are You to My Thoughts shows
that growing up in a powerful family structure allows the kind of individuation
in which a person can become the self they were meant to be, to align their
inner and outer worlds over time. And it does take time. Line, Marty and Paul
are very different people and love and work happen for each of them
differently. Their ideas and desires take them far from home and force them to
make their own lives, as people of their generation did. But the circle of
family their parents generated is very strong, and they never lose the sense of
being in touch.
So! The Pastor’s Kids
unfolds in a particular place and time, the Eisenhower years between 1952 and
1960, in the upper Midwest. Though post-war optimism and a growing awareness of
diversity affected everyone, I am still amazed as I look back, at how the
Scandinavians managed to maintain an isolated, unique culture for so long.
Line, Marty and Paul begin to push against this in subsequent books in the
series, developing their own individual stories. But The Pastor’s Kids,
true to its time, reminds us that dignity once had value. Words and
actions expressed it. I guarantee you will not be ashamed to read it to your
kids!
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