The film Hannah Arendt dramatizes the controversy
which raged around Arendt’s reporting for The New Yorker on the trial of
Adolf Eichmann in 1961. Though she lost friends and alienated family members,
who misunderstood her reporting as lack of sympathy for the victims of the
Holocaust, she continued to insist that individuals should be seen as persons,
rather than members of “a people,” a tribe. Eichmann, the organizer of
transportation for millions of people taken to concentration camps during World
War II, was found in Argentina and taken back to Israel for trial for war
crimes. He was hung in 1962.
Because Eichmann insisted he was simply obeying his
superiors, Arendt did not see that he could be convicted in a court of law,
though she wrote that he must hang because he had “supported and carried out a
policy of not wanting to share the earth” with others. Arendt coined the famous
phrase “the banality of evil” to describe those who are simply thoughtless,
who refuse to connect their actions with the consequences, who refuse to be
persons.
I am currently reading the new translation of Pasternak’s Doctor
Zhivago by Richard Pevear and Larissa Volokhonsky. This book helped set me
on my path when I first read it in 1966, but some of it, especially the
philosophical discussions, were fuzzy in the earlier translation. In this one
they are extremely clear! The first time I read it, I gravitated to the
powerful story of a man who remained a person in the face of the monumental
pressure of the ideological revolution in Russia. In the first translation, the
story was wrapped in thick romance about love and art. [The movie, of course
compounded this!] In this translation the romance is pared away, revealing a
story which is set not only in history, but is about all of us.
Here in the West, too, we’ve been buried in ideology. If you
think you are free, have a look at the BBC production "The Century of the Self",
a four part series on how corporations have used Sigmund Freud’s and his nephew
Edward Bernays’ theories to subliminally affect your life. In order to be free,
to be a person, one must look deeply into one’s reasons for doing things. Most
of us, in order to work, to have friends, to contribute to society, make some
compromises with our innermost beliefs. But, being a person involves drawing
boundaries and acting on them. Our global economy and
information system relentlessly inform us of the effects of our actions. Do we
pay attention?
Doctor Zhivago is filled with moral quandaries and
ideas, a long rumination on life and art. Tolstoy’s social doctrine of the
Kingdom of God on earth was part of the huge ferment of revolutionary thinking
at the end of the 19th Century. Pasternak’s Tolstoyan character
Misha Gordon, a childhood friend of Zhivago, believes that personhood began
with Christ. For him, the Gospel began as a “naïve and timid suggestion. The
suggestion was: Do you want to exist in a new way, as never before, do you want
the blessedness of the spirit? … In that new way of existence and new form of
communion, conceived in the heart and known as the Kingdom of God, there are no
peoples, there are persons.”
It doesn’t matter where our personhood, our responsibility
comes from. It is a gift which we must not refuse. Eichmann and Pasternak are
good examples of the poles which may be lived out with relationship to one’s
culture and society. “Life,” Zhivago tells the partisan leader who has imprisoned
him, “has never been a material, a substance. It is, if you want to know, a
continually self-renewing, eternally self-recreating principle; it eternally
alters and transforms itself; it is far above your and my dim-witted theories.”
It was this trust in life which initially thrilled me about
Pasternak’s book. Harrowing experiences awaited its characters, as they await
us. That trust did not desert Pasternak, even as much that he loved was taken
from him. It was a good thing for me to learn as I was setting off into the
future.
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