In San Francisco, it became a plague. Everyone had friends
who were HIV-positive, and thus likely to undergo the later stages of disease,
AIDS, and die. There was no known cure, though it became clear that the disease
was carried by certain bodily fluids and blood. Condoms were seen as the only
way to prevent transmission from one person to another. Not until 1987 was the
first drug, AZT, offered to combat HIV-related disease, and it was
prohibitively expensive.
AIDS had, and still has, a huge impact on the culture. For
the first time since the 1960’s, people became more wary about sex. People who
were HIV-positive were stigmatized and politicians proposed proscriptions, such
as quarantine, which compromised people’s human rights. The gay community in
San Francisco responded with organizations and information, protests, care and
dignity. But, every year, until the United States reached the highest number of
deaths from AIDS in 1995 (48,371), mortality from AIDS increased. The hospice movement
which was getting underway was pushed along by the need to care for so many
people losing their lives to AIDS. A timeline of scientific, government and
community response to AIDS can be seen here.
The stories of those who died from AIDS are kept alive by
the Names Project Foundation and by an amazing quilt (Cleve Jones’ idea) which has grown
to epic proportions and traveled all over the world. I worked in architectural
firms and many of the architects and designers I knew in those years slipped
quietly away. Larry Canega, who played the piano for the Pitschel Players and
had been my sister’s great friend, died in the early 1990’s. One of my gay
friends found that everywhere he looked, every place he went in San Francisco
held memories of friends who were gone. “We are being compared to holocaust
survivors,” he said to me in 1991. “It’s that bad.” I recall getting one of the
“lavender letters” people sent out to friends when their gay partners died.
I remember doing tai chi push hands, in which two people
work together, with a man who had very visible Karposi’s sarcoma on his arms
and chest. One woman turned away in horror, but the rest of us worked with him.
We knew we could not catch it from his skin. I also knew a woman who was
married to a man who had been given an HIV-laced blood transfusion. When I
again became single in 1989, I had several blood tests to make sure I wasn’t
HIV-positive. This was still an emotion-soaked issue in 1995 when I worked on a
documentary in which sexually-active students at a Danish film college took
similar blood tests.
One of my tai chi teachers, Emilio Gonzalez, is a long-term survivor,
doing daily tai chi and keeping close tabs on
his health, including using some AIDS drugs. “When I first learned I was HIV-positive [more than 30 years ago], I wouldn’t even subscribe to a magazine!” he told me. He and George
Wedemeyer developed Qigong classes which were particularly adapted for immune-compromised
people. In 1996, I helped produce a video of these Qigong routines, and
especially the Tiger Mountain Tai Chi Gong which Master Kai Ying Tung developed
for our school. The best-selling video has been on television, sold as DVDs and
is still available on youtube.com here.
The bitter story of AIDS is not mine to tell. But my fictional memoir of the late 1980’s, Nature's Stricter Lessons, would not be true to life without its
presence.
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