This great version features the Staples Singers. It isn’t
really a matter of the lyrics alone. The music is very exciting and the
combination of the lyric suggestions and the music’s blues and wailing against
the drums adds up to an emotional experience which might mean something to
whatever place you currently find yourself. And that, is what the
Seventies were about: finding yourself somewhere you didn’t expect but which is
surely (is it not?) helping you along your very own path.
Pulled into Nazareth, was feelin'
about half past dead
I just need some place where I can
lay my head
“Hey, mister, can you tell me where
a man might find a bed?’
He just grinned and shook my hand,
"no" was all he said.
Nazareth was at least partly the location of a legendary
guitar maker in Nazareth, Pennsylvania, but also the home of a wandering
carpenter.
Take a load off, Fanny
Take a load for free
Take a load off, Fanny
And you put the load right on me.
According to Robbie Robertson: “For me it was a combination
of Catholicism and gospel music. The story told in the song is about the guilt
of relationships, not being able to give what’s being asked of you. Someone is
stumbling through life, going from one situation to another, with different
characters. In going through these catacombs of experience. you’re trying to do
what’s right, but it seems that with all the places you have to go, it’s just
not possible. In the song, all this is ‘the load.’”
Titles for books are really interesting. I tried other ones,
but kept coming back to this. The song is so well known and has been covered by
so many people it can’t help but be recognized. In this book, Line, Marty and
Paul have all left home. They all stumble, but their experiences take them
deeper into the lives they have been given to lead.
Paul goes to Alaska, determined to find himself in a place
none of his family has been. Alaska is the North Country and no mistake. So
much is happening there in the Seventies. The Alaska Native Claims Settlement
Act of 1971 is, at the time, “widely described as the most openhanded and enlightened piece
of legislation that has ever dealt with aboriginal people” [John McPhee, Coming
into the Country, 1977]. An oil boom brings people to work on a pipeline laid
from Prudhoe Bay to Valdez in the south, a technological feat. And midway in
the decade, high schools begin to be built in the villages which had previously
sent their high school age kids off to board under difficult conditions.
After a few dicey adventures, Line’s husband attracts her to
Santa Cruz, where he is studying for his doctorate and later teaches in the
History of Consciousness department at the newly-formed university. During this
time, Allan Chadwick introduces French intensive gardening and is called the
“Pied Piper” of the organic gardening movement in California. Line spends much
time in his garden established at the university. She has more kids of her own
and becomes midwife to others.
Marty, doing administrative work in architecture firms,
finds herself at the beginning of a tech revolution. She is introduced to
databases and word processing and there are rumors that architects will soon
begin doing computer-aided drafting. Meanwhile, her boyfriend Erik continues to
dabble in drugs on the one hand and architecture on the other. None of this
answers the urgent identity questions Marty continues to pursue on her own, but
this cannot be helped.
I look forward to the year of research, discovery and
writing!
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